Friday, April 22, 2011

Review–Game of Thrones Ep 1 (part 2)

Con’t:

Pentos: there we see Viserys admitting he is selling his sister Dany for an army. Khal Drogo rides up supposedly to approve of Dany (or not).  The Khal does not speak the common tongue so he says nothing.

Here is where I’ll say something about the women in A Song of Ice and Fire.  Yes, it is true, women are treated horribly as a class, as they were in the Middle Ages.  Here, women of the upper classes are used to cement bonds between differing houses, to ensure pacts and otherwise ordered to marry whom their father instructs them. For Dany, it’s worse. Her father is long since dead, and she and Viserys have been in exile. All she knows is that she was raised by Viserys and she only knows what he’s told her. She has no concept that what he’s telling her might not be true or common or whatever. Also, the Targayren family wed brother to sister to keep the blood lines true (just as European upper classes tended to wed within the family – altho not generally brother to sister).  When Viserys threatens her when she shows reluctance he says, “Do you want to wake the dragon?” This is a direct threat that he will punish her physically and she knows it. That is why she is so meek. Viserys is brutal and has a short temper. She’s reacting as any woman in an abusive relationship must. Let him have his way or pay the price. That Dany stands up to Viserys at all to say she doesn’t want to be Khal Drogo’s queen is rather remarkable considering her wretched abusive brother.

As to the other women who at first seem meek and open to manipulation, I say only WAIT!  This is where they begin their journeys. Nearly every one of them, will grow and discover the need for  independence of action and thought and they will accept the challenges.

Illyrio Mopatis, the magister who sets up the sale of Dany to Khal Drogo so Viserys can win his throne back, is, of course, lying through his teeth. Yes, there are a few factions in Westeros who might back a return of the Targaryens, but the common people are trampled on by everyone and really could care less which family is in power. All they want is peace and to be left alone. Illyrio, btw, is rather mysterious. Keep an eye on him.

Winterfell:

Here we see Sansa delighted to discover she’s to be wed to the future king, Joffrey who she thinks handsome. She’s the sort of girl who believes in fantasy princes and suddenly discovers her life is headed EXACTLY where she wants it to go.  Alas, she’ll find out soon enough things are not always what they seem.

Jon greets Benjen Stark, Ned’s younger brother who is the First Ranger at the Wall. Jon pleads to go with him. He realizes that if Ned leaves, he will not be welcome to stay at Winterfell, as Catelyn despises him.  He has to choose something, go somewhere where even a bastard might be accepted.

Jon then speaks with Tyrion who offers Jon words of wisdom in a most, uhm, unsettling way. Typical of Tryion.

“Have you bled yet.”  The question Cersei asks. She asks it because it is when a girl first bleeds she is then considered a woman. Quite normal in a Medieval society. Amazingly some who watched found the question  shocking and red more into it than I think was intended. For this society it is a perfectly understandable question.

A raven arrives then, with a message from Cat’s sister Lyssa Aryn who was married to the Hand who is seen dead at the beginning of the main storyline. Lyssa believes the Lannisters poisoned her husband and has fled to the stronghold of her husband’s family with her only son and heir to the Aryn lands and powers.

Cat believes it immediately, Ned is skeptical.  But it is another reason for Ned to accept the position of King’s Hand, as he wants to know for certain who, if anyone, killed his childhood friend.

Pentos:

Dothraki wedding. Dany is clearly terrified. This society is nothing at all like she’s used to. For one thing, everything is done in the open with no privacy and no sense of shame. Everything of consequence is done under the stars.  As for the wedding itself, Illyrio says it all. A wedding without three deaths at least is considered a very dull affair.

Here Jorah Mormont is introduced. He’s fled Westeros and is in an exile for his own reasons, which he will admit to in a future episode.  We’ll also meet his father quite soon, who is in another sort of exile.

Here is the first hint of magic, too. Dany, as a wedding gift, is given three dragons eggs.  This is significant because the sigil of the Targaryen House is a three headed dragon. And there are stories and prophecies which point to ‘the three heads of the dragon’ as returning to Westeros.

At this point, dragons are believed to have been extinct for three or four centuries. The last ones were used by the Targaryens to overcome a rebellion against the Iron Throne.

Khal Drogo gives Dany a white horse as a wedding gift. She’ll refer to it as her Silver.

The scene of Drogo and Dany’s wedding night is stunning and upsetting. She’s been told he’s a barbarian and believes it and she sees the events in that light. And since he cannot speak to her not having the common tongue, he can’t claim otherwise.

Winterfell:

We meet ‘the Hound’ the scarred fellow talking with Tyrion. He’s Joff’s bodyguard and will do whatever Joff tells him. Watch out for him.

Most of the males in the visiting party ride off from Winterfell to do some hunting for wild boar. Bran, despite having promised his mother to stop climbing, heads up to do his favorite thing. He spies two people having sex and is caught. What happens next is horrifying if not surprising. Their lives are at risk so they protect themselves.  Their secrets MUST be protected as there is no question as to what Robert would do. Bran must pay the price.

::end of episode::

Let me add that the VAST majority of this first episode is entirely true to the book, to the law if not always true to the letter of it. Naturally some things have been left out. It’s a HUGE book, after all. But I am delighted to see this as it sets up subsequent events perfectly.

As far as I’m concerned, the series is faithful, well done, and stunning in its understanding and use of the source material. I like all the casting choices so far. I adore Arya and Jon is suitably angsty and conflicted here. Jaime is perfect IMHO.

This is by far the slowest part of the book, so I’m not surprised some folks find this episode a bit dragging. But there is a LOT to introduce and so much is built up on the events here. Please just hang in there and know it is uphill from here all the way.

GoT title
Episode 1 - Winter is Coming:
Intro:
Firstly there are changes made between the book and the Tv show, which is only to be expected. Some, no doubt, I've missed, and I'm not trying to list all of them, merely detailing what I thought made a big difference - for better or worse.
We begin with a shot of three rangers preparing to go ranging beyond the wall.  We see the gate raised and them riding through the passage at the bottom of the wall. Deep, dark, long, emphasizing the massiveness of the wall itself. At the other end the gate rises and the three emerge beyond the wall, into a landscape covered in snow, with the wall in all its wonderful majesty rising beyond them.
Atmospheric music and eerie sound effects begin as the three enter the forest beyond.  I loved the creepiness of the sound effects and the light touch with the music.
Will is wonderful at showing the horror of what he finds, and Ser Waymar Royce is suitably unimpressed and unaware of how Will and Gared are reacting. Well, not that he's unaware, but that he doesn't care and dismisses them as cravens.
The action is considerably different from the action in the book here. I really had no issue with the changes and thought they worked well. Quick and sudden horror and bafflement and pure terror as Gared and Will, and then Will alone, flee.
Title Sequence:
Wow! It is impressive and oh so neat, and I really can't even begin to describe it other than to say it has elements of steampunk in it, which was wonderful!  The music is suitably impressive and intriguing with notes in lower registers.
The Red Keep:
We see Jon Arryn laid out in the throne room rather than at the Sept. The Silent Sisters attend his body as Cersei looks on, joined after a moment by Jaime in a scene not in the books. They speak of a secret and its dangers.
Winterfell:
Love love love the boys in the yard helping Bran with his archery, and loved even more Arya's intrusion into it (as she slips away from her hated needlework).
Also enjoyed seeing Catelyn and Ned being parents and friends. 
The look Cat aims at Jon though.. Wow. It reveals all the hatred and distrust she feels for him, all in that momentary look they share. Jon's in return, is bland and unsurprised.
Justice:
The beheading scene is considerably changed, in that it is not the same character as in the books. But the rest of the scene is pretty much on target, with Bran being brave and Jon praising him for it, and Ned explaining 'our ways are the old ways' and 'the man who passes the sentence should swing the sword.'
The dead elk is found and shortly thereafter the dead direwolf whose pups surround her. The sequence is close to the books, with Jon convincing "Lord Stark" to not kill the pups because they represent the family sigil and are a sign in their numbers. They are ready to leave with the pups when Jon hears Ghost wimpering.  Theon laughs at the 'runt' which suitably, according to him, goes to Jon. You can easily see that relationship - Jon and Theon - is very different from Jon's with his half-brothers and half-sister Arya.
The Godswood:
Wow, the tree was massive and impressive but you couldn't see the face. Cat explains the letter that came by raven of Jon Arryn's death and that the King and complete entourage were heading to Winterfell. Both knew what that meant.
Nice back and forth regarding Cat's discomfort in the godswood even after all these years, as Ned laughs and replies that it is her gods who have all the rules.
The King's Arrival:
Pretty much spot on, and I loved the discomfort evident between Cersei and Robert, her irritation at Robert for insisting he go into the tombs the moment his foot hits the dirt of Winterfell. Also the discomfort both Ned and Catelyn can't hide when they have to greet Cersei as queen.
Jaime, on first sight, looks utterly magnificent.
The Hound's helm is impressive, and he is suitably ugly and scarred.
Great job doing the relationship between Ned and Robert. Uncomfortable at first as they test their friendship, then swinging back into what must be familiar to them from their childhood and from the war.
Robert lays a feather into the stone hand of Lyssa as he mourns her and curses Rhaegar.
The Brothel:
New scene written in when Cersei asks Jaime to find their errant brother. Jaime no doubt headed straight for the nearest brothel where he finds Tyrion already receiving proper attention. It is a scene that made me smile and grin to see that the brothers respect and admire one another even if Cersei despises Tyrion.
tbc

Part 2

Sunday, April 17, 2011

Game of Thrones

 

Tonight, winter arrives! I've been waiting what seems forever for the HBO series of Game of Thrones to start. The series is based on George RR Martin's A Song of Ice and Fire multi book series.  The plan is for each year to do one book.

I await tonight with quite a bit of trepidation. Can it possibly live up to the hype?  Will the haters read that crappy NYTimes review and tune out?  Can fantasy be accorded respect? I mean, what the hell is fantasy anyway?  I'd call the Sopranos and Deadwood fantasy, myself. They certainly are 'takes' on reality, but not reality.

So, why do I love ASOIAF or Game of Thrones? Let me count the ways.

 

1. Arya Stark. - If there ever was a little engine that could, it is Arya Stark, whose only good Needlework is with a sword. She's a tomboy and feisty as crap, and you want to cheer aloud for her.  Her life turns to crap, but she never ever gives up.

2. Bastards! - Of several kinds.

- Tyrion Lannister: A dwarf son who is hated and reviled by his father.

- Jon Snow: A bastard son brought up in comfort by his father, but reviled by his father's wife. He has no choice but to set off on his own if he's ever to make something of himself.  

- Bronn - A sellsword with a tongue and an attitude.

3. No one is safe. Literally. Anyone can die. Actions have consequences, even a mere roll in the hay (see above bastard Jon Snow as an example).  

4. Alliances and allegiances are ever changing and you can't trust anyone - well nearly everyone.  As Jamie Lannister puts it, paraphrased:  So many promises, so many conflicting oaths, which one can I keep?

5. The threat of magic reappearing in a world where no one believes it even exists.

6. So many bloody (heh) surprises! You just can never guess how something will play out. Really!  Promise!

Please watch it if you can. I hope it will be great. I believe it will be, and have fingers crossed for the entire book series to be seen in splendor on HBO.

I'll do episode reviews too.

 

Sunday, April 10, 2011

Review: The Sorcerer’s House by Gene Wolfe

 

Finished The Sorcerer's House by Gene Wolfe
Very very different, in that the story is told in epistolary fashion. Not my favorite method of storytelling, but for this book it worked quite well.
I gave it only 3 and a half stars because I thought the foreshadowing made the outcome a bit too obvious.

Official review on Library Thing:

A tale, told entirely through letters most of which were sent by the protagonist. Truths hidden, or unknown, confusion as mysteries are revealed, determination as the protagonist is determined to understand the seemly impossible facts regarding the house he was suddenly gifted, for no reason known to him.

I'm not that big a fan of epistolary novels, but I will say that this method of telling this story worked well.

It is also an interesting and dark retelling of sorcery and of the things we only see out of the corner of our eye.

Sunday, April 03, 2011

Review: Among Thieves - Douglas Hulick

I received this as an ER book. Among Thieves was an engrossing and fun read. 

Hulick creates a complex and well-formed world and then concentrates on the affairs of the Kin, a guild of thieves. Drothe is a 'nose' someone who collects information and passes that information on to the various gang bosses. It's a dangerous profession, especially when you stick that nose into something you don't understand.

There's mystery and mayhem, and twists and turns galore, as Drothe tries to figure out why suddenly there seems to be a target painted on his back. Just what particular bit of intel is it that is so dangerous he has Dark Princes, Upright Men and, apparently, the Emperor's enforcers on his tail?

Well written, well paced and recommended!  )